Saturation

The finished quilt: a 6″ by 6″ piece titled Saturation. It will be shown at an art fair on Wednesday.

complete!

The title came before the design; I was considering a quilt of leaf-patterned fabrics but just wasn’t feeling it, and the Feeling Stitchy August stitchalong was on my brain as well. I started looking at the fabrics and seeing what I liked, and the rich, saturated colors were the ones that grabbed me. Colors are saturated when they are very far from a gray of the same lightness. I think of saturated colors as being Very: very intense, very themselves. They don’t have to be dark or primary colors, but they are not going to be neutral.

On top of the saturated colors I saturated the quilt with embroidery. I tried to find a way to put an additional level of saturation into the quilt but I didn’t want to be so literal as to make it evoke the molecular structure of a saturated fat, or the mathematical structure of a saturated bipartite graph. Two levels will do.

close-up close-up

Quilted potholder tutorial

The description of the construction of potholders ended up rather long. The outline: make 7″x7″ fabric faces, quilt them to 7″x7″ pieces of fleece, zigzag the two halves together, stitch extra wide double-fold bias tape around the edge, attach a loop of bias tape, and hand-sew the free edge of the bias tape down. The instructions will be for a pair of potholders.

Some related posts: Potholder examples 1, potholder examples 2, Embroidery for Edge Finishing (good choices for sewing down the binding).

Making faces:
The simplest way to make the fabric faces is to find a fabric you like and cut four 7″x7″ squares. There are a huge number of variations, though: you could stitch (heat safe) ribbon along a plain piece of fabric, or applique other fabric onto it, or employ any quilting technique. The two sets of potholders I made most recently were patchwork and confetti piecing.

For patchwork, I was rather imprecise: I have several 7″x7″ squares of paper, and I folded one in rough thirds diagonally, using a ruler to make sure the folds were parallel, and cut fabric with a(n unmeasured) 1/4″ seam allowance along the folded edge or edges. I had four kinds of fabric so I cut one inside third and two outside thirds of each, matched them up so no two faces had the same combination of fabrics, and sewed them together with a 1/4″ allowance. Then I pressed the seams open.

patchwork pieces patchwork faces

Confetti piecing may take longer but requires no measuring. You need more fabric for it than the total surface area of the finished faces, but you can also add more later if you discover you didn’t cut enough. I usually cut five to six faces’ worth of material for the four I am making. The different pieces should be sewn together with a 1/4″ seam allowance, but not necessarily squarely. You may lay one diagonally across the other, sew along the diagonal, and trim off the excess beyond the seam allowance. That excess may then be lined up with some other part of the material and sewn on. Press the seam allowance open after every seam, to minimize bulk. You may also cut a straight line across the material and stitch the halves together in a different orientation. Repeat until there is some region that looks like a good potholder face, cut out a 7″x7″ square, and sew the remainders together again as before (I think of this as “rolling out the scraps”). You can see why this takes a lot of material: lots of seam allowance, and little pointy bits sticking out unusably from the edges.

starting confetti pieces back of confetti piecing

cutting a face
Try to continue the straight line of the template all the way across the fabric, to make using the leftover fabric easier.

rolling out the scraps
“Rolling out the scraps.”

confetti faces

Construction:
I use fleece remnants for my padding. Any color is fine, so long as you line thinner/paler fabrics with muslin or white cotton to keep the fleece color from showing through. Cut four 7″x7″ squares and pin your fabric faces to them. Stitch around the edge at about 1/4″ and quilt them down the center in some way. My butterfly potholders had a stitched triangle somewhere in the middle, my patchwork potholders are stitched along the two seams, and my confetti-pieced potholders are stitched along some assortment of seam lines.

If the faces have an upper corner, align them so those match when you pair the halves up. Zigzag around the edges of the potholders. You could also straight stitch, but zigzagging keeps the edge from puffing unattractively under your bias tape and makes straight stitch unnecessary.

pinned for quilting
I cut a 14″x14″ square of fleece and pinned all four faces at once. I don’t think I recommend that, since it is still advisable to stitch around the edges of each face.

ready for binding

Edge binding:
Each pair of potholders uses about two yards of binding, or 2/3 of a package. You want extra wide double fold bias tape. Unfold it and pin one raw edge along the edge of the potholder (if the tape is folded unevenly, use the narrower half), curving around the corners. This takes a fair number of pins. Make sure you start a bit away from a corner so you don’t have to join the cut ends on a curve; to make the join, fold the right-hand raw edge (with the edge of the potholder facing away from you) in on itself and overlap the left-hand raw edge over it. See the pictures below: you want the exposed tape ends to point toward you when you sew the seam on your machine.

pinned for machine sewing

pinning the overlap
You want your raw edges downstream.

Stitch in the fold line all around the potholder. I often have to walk the machine with the handwheel around the corner curves, and even with that I sometimes have to redo one or two. Afterward, trim the potholder corners to match the curve of the bias tape, and zigzag around the edge again. Cut a 5″ to 5 1/4″ length of bias tape to be the hanging loop. If you have a desired top corner, make sure you pin the loop to it. Fold the bias tape in half so the open edge faces out (see picture) and pin to the opposite side of the potholder from the edging. I usually pin the edging down so it can’t get caught in the stitching. Sew the loop on in a straight line close to the corner edging stitch. Trim any bits that stick out past the edge and zigzag the loop ends down.

pinning the loop

Fold the edging over to the loop side and pin down. At the join, unfold the original bias tape folds so that the outer layer of tape is completely wrapped around the inner layer. You may need to change the original fold on the inner layer, making the strip a little narrower, in order to get a smooth line.

pinning the last edge

There will be a separate post with my thoughts on choice of embroidery stitch for the loose end of the binding [edit: here it is!], but whatever stitch I use I proceed in the same way: start at the near edge of the loop and stitch the binding down underneath it. Proceed around the potholder until you reach the near end of the loop again. Pin the loop up, stitch across the base, and then stitch up the far side of the loop, around, and back to where you started (this is why the open edge of the bias tape should be outward: your stitches will seal it off).

I also wash the potholders in a mesh laundry bag and give them a press before wrapping them. As long as your embroidery is sturdy, there should be no problem machine-washing the finished project.

finished confetti potholders finished patchwork potholders

Fibeenacci stained glass

Did you know the members of each successively earlier generation of a bee’s family tree are counted by the Fibonacci numbers? Starting with a drone or worker, one bee, there is one parent, the queen. The queen has two parents, a queen and a drone, and between them they have three parents, two queens and a drone. Among those three bees they have five parents, three queens and two drones. And it goes on: 1, 1, 2, 3, 5, 8, 13, 21, 34, …

I learned this from a lovely page on the Fibonacci numbers generally, that I found years ago while looking for teaching resources, and it came to mind when quilting friend of mine said she would love to make a Fibonacci quilt, but didn’t have a pattern.

My first design test is a stained glass quilt square. In stained glass quilting, the fabric is bordered by black or dark gray material (usually bias tape) to look like panes of stained glass. My square is 8″x8″ plus a 1/4″ allowance. Except for one corner, all of my “leading” was in straight lines, so I was able to substitute black ribbon for the bias tape I didn’t have. I attached everything with fusible web: Wonder Under for the contrast fabrics and Stitch Witchery, cut into thirds, for the ribbon. Gigantic (A Tale of Two Johns) kept me company.

Fibonacci bee family tree stained glass quilt square

I started at the top, and was able to hide all cut ribbon ends under other ribbon without any folding except for that lower right corner out in space. That took a fair amount of manipulating and some extra Stitch Witchery, and made me grateful for my retractable tweezer fingers.

My other ideas are more traditional quilt formats, and hence less intriguing to try out, but will follow in later installments.