Letting go

Sometimes even long-held plans into which you’ve sunk a lot of effort need to be let go.

unfinished cat cross-stitch

Once upon a time I acquired a pattern or kit for a cat-themed cross-stitch pillow. Since it had four cats and we had four cats, and there was a certain basic correspondence between the looks of these four, I decided to make it over in our cats’ images.

And I put a lot of work into it – twenty years ago or more.

unfinished cat cross-stitch

As much work as I put into it, there is a lot left. I never did figure out good colors for Tabitha (the unfinished grey and tan cat) – she wasn’t as high contrast as that stitching. And at this point the discoloration of the fabric and white thread may be permanent.

I used the pattern for O.D., the calico, in another setting already, and I’ll save what I have for the other three as well. The stitching itself, however – it’s time to let it go.

Weavers: Relaxation, Invitation, Ornamentation

I’m in an art exhibit for the first time ever! [This is more a function of me getting in gear than anything else, but it’s exciting nonetheless.] A set of three mixed-media fiber art pieces, with sewing, embroidery, weaving, and gluing.

"relaxation" art embroidery "invitation" art embroidery "ornamentation" art embroidery

From left to right, these are Relaxation, Invitation, Ornamentation. Click to embiggen; the next larger size would have made them taller than my browser window, and I find that super annoying on other sites.

My hubby took some fantastic closeups of them that I’ll share two of:

"relaxation" embroidery detail "ornamentation" embroidery detail

These will be on display at the Upper Valley Food Co-op in White River Junction, VT, as part of their Earth Day art show. I believe they are up for three weeks starting today, and there’s a reception 4-6 PM today.

A bit on the making: The hoops are 12″, 10″, and 8″ wooden embroidery hoops painted with acrylics; two are over 12″ scrapbook paper. Each has a two-layer fabric “frame” perhaps with other fabric elements and a hanging ribbon that originated on a candy package. The webs are nylon filament sold for beading and the dewdrops are Mod Podge Dimensional Magic, a material I’d been looking for an excuse to buy and try.

The smaller spider is thread and wire (and a loop of filament leading to the hanging thread), held in place with friction and Fray-Check. The bigger one is wire and beads made rigid partially via Jewel-It embellishment glue. The wire lettering is also held in place by Jewel-It. I used steam (was going to say an iron, but that implies touching) to “block” the nylon, which shrinks it a bit but also helps it take the shape it’s pinned to when heated. That was especially important for the hanging spider, who doesn’t weigh enough to straighten the nylon itself!

Blackwork-appropriate embroidery alphabet

Remember the blackwork map of my local area that I spent so much time designing and stitching last year? I’ve added to it.

annotated blackwork map

Title, compass rose, and attribution. Since I did the vast majority of the work last year I used that date. And since I am me, I designed the alphabet myself, all the letters in upper- and lowercase, and digits although I ultimately liked the look of the Roman numerals better.

Since blackwork was popular over a long stretch of time I had a lot of options for an era-appropriate script. I found a website called Medieval Writing with lots of examples of scripts and was able to observe my lowercase options pretty thoroughly. I decided to create a blend of 15th-16th century English chancery hand and 15th-16th century French and Italian humanistic minuscule, with an eye to legibility for modern readers. Well, it turned out more to be based on those scripts in the way that TV movies are based on true stories, but I think it has the right flavor. I made the uppercase and numbers by looking at assorted typefaces and online calligraphy lessons, and the ampersand right out of my head. My favorites are the old-looking a, dramatic d, and potbellied U.

I have for you a blackwork alphabet PDF that includes the laid-out text for the map (aside from my name, which I didn’t think would be of much use). I thought it would be useful as an example of kerning the letters even if you wanted to use this for a different project.

blackwork map drying

After stitching, I washed the map and hung it from a deck chair out back, before I remembered I needed to block it on the ironing board with six or seven hundred pins. Next stop: the frame shop. I’ve never had any of my embroidery framed, so this will be an adventure.