Double-Pocket Standup Marker Pouch

Since early 2020 I’ve made at least 5 zippered pouches, both double and single pocket varieties. The process has been evolving and streamlining and is finally ready for a tutorial (for you – and for me, three years from now when I finally need another one!).

All my recent sewn zippered pouches

Two of the fundamental construction ideas for this pouch came from So Sew Easy: the accordion-fold corner boxing method, and side tapering. I’m somewhat amazed that, in my decades of sewing, I only first encountered the accordion-fold method a year and a half ago.

I’m going to give the directions for the exact bag I made most recently, then some tweaks and variations for it, and finally the calculations you’ll need if you want to make your own custom size.

There are photos below from both of the two most recent bags I’ve made. I tried to pick the ones with the clearest demonstrations.

Sewing instructions

You’ll need lightweight upholstery fabric or something like canvas or duck, and a zipper that is at least 11″ long. Make sure the fabric is something your machine can sew through four layers of. This is a great remnant project.

  1. Fabric preparation

Cut 2 pieces of fabric, each 11 1/4″ by 13″. The 11 1/4″ edges will be at the opening of the bag. Zigzag the edges of the fabrics.

Fold each piece of fabric in half, wrong sides together, to make 11 1/4″ by 6 1/2″ rectangles. Pin near the fold, with your pins parallel to it.

Now fold the loose sides of the fabric back up, resulting in a piece that is mostly right sides together but with a little accordion fold at the bottom. The original fold and the new ones should be 5/8″ apart, and the edges of the fabric should all line up together. Pin all along the edge; press the fold if desired (not shown). If this description and the photos are not clear, refer to Sew So Easy’s video.

  1. Sewing individual pouches

Mark your sewing lines: you will be sewing straight up from the bottom for 5/8″, with a 1/2″ seam allowance, and then diagonally to a point 1/2″ down from the open edge and 1 1/8″ in from the side. The top 1/2″ will be open. Sew all four seams (either direction; I don’t mean to imply they have to come up from the base).

Why not sew a diagonal line all the way from top to bottom? The opening at the top is needed for zipper installation, and sewing diagonally through the accordion fold will cause the gusset triangle to pucker in the finished bag. (I tried it! Passing the savings on to you.)

Trim the seam allowance on each side and zigzag the new raw edge. Press seam allowances open near top; finger-pressing will do.

  1. Connecting pouches

You now have two individual pouches. Turn each one right-side-out and choose which side will show, and which will be hidden against the other pouch. Hem the hidden sides: fold the raw edge down 1/2″ to the wrong side, with side seam allowances open so they are enclosed in the hem, and sew to secure.

Pouches with hidden side hemmed at top

Turn one bag inside-out again and nest them, right sides together. I find it easiest to slide one bag into the other if I pleat it in the middle to make it narrower, then spread it back out again once it’s mostly inside. Pin the hemmed edges together and mark the sewing lines for the pocket: the vertical seams are 4″ long and 2″ in from the side seams at the edge; then connected at the bottom with a horizontal seam. Sew.

Pull the inner bag out and turn the whole thing right-side-out. You should have 2 pouches connected in the middle via sewing that creates a flat pocket, with a raw (well, zigzagged) edge on each outer side.

  1. Zipper installation

Line up the zipper so the top zipper stops are 1″ outside the side of the bag; any excess zipper length should be at the bottom end. Pin the zipper to one bag opening, wrong sides together, with the edge of the fabric lined up to the edge of the zipper tape. Keep the side seam allowances open so they get tacked down. Sew down the center of the tape. I typically use a standard sewing machine foot bumped up against the zipper teeth, with the needle moved toward the zipper teeth.

With the zipper closed, line up the other fabric edge and pin the zipper at one end (either one). Open the zipper and pin the rest, sewing the way you did the first side. If you zip the zipper at this point it forms a sort of trough between the sides of the bag, when the edges of the fabric point upward.

Trim the fabric edges as needed so they won’t protrude past the zipper tape, and fold the zipper to the outside of the bag. Make the fold in the fabric tight. Sew near the edge of the zipper tape to secure.

  1. Finishing

Shorten the bottom end of the zipper if needed: sew across it a couple of times, a little more than an inch away from the bag side seam, and trim the extra length past your stitching (shown in previous picture).

Cover the raw end with a fabric tab: begin with a piece of fabric that was 1.5″ by 3″. Fold the long edges in by 1/4″ and then the short edges in by 1/2″, and fold the whole thing in half to make a 1″ square. Sandwich the end of the zipper inside so that your zipper-shortening stitching is hidden, and topstitch as close to the edge as possible on the non-fold sides.

(I make tabs slightly differently each time, and the one on the orange zipper is probably the tidiest one I’ve ever made! A wider tab on the green zipper shown for comparison – that kind is easier to put on the open end of a zipper.)

To fully match my bag, you’ll need a decorative bead zipper pull. I used three beads threaded on a head pin, with a lobster clasp attached via a wire-wrapped loop (not a good one, I didn’t leave an actual stem to wrap around). I added the clasp to the loop after shaping it and before wrapping the wire. Not my area of instructional expertise, so here are written instructions from Goody Beads and a video tutorial from Beadaholique.

Finished marker bag side view

Quick tweaks for your bag

  1. If you need to piece your fabric, cut 4 pieces of fabric each 11 1/4″ by 7″, and zigzag all four. Sew pairs together along long edges at 1/2″ so you end up with two 11 1/4″ by 13″ pieces with a seam down the center. Press the seam allowances open. Note that you’ll be sewing through SIX layers of fabric at the accordion fold in this case.
  2. In step 4, you could line up the zipper tape so it extends 1/8″ out from the edge of the fabric, and then not need to trim your fabric.
  3. Often I also add a tab to the open zipper end in step 5. It increases the symmetry and gives you something easier to hold on to when opening the pouch. This is done in the same way, although working with the open zipper end is a bit fussier. I was ready to be done at that point, though, so I didn’t add one to this bag (but I did save a bit of fabric in the inner pocket in case I change my mind later). If you don’t need to shorten your zipper you can also skip fabric tabs entirely, which is seen in two of the five bags at the head of the post.

Variations

  • Zipper tape to inside of bag: If you would rather have the zipper tape to the inside of the fabric, keep the two bags nested after step 3. The right sides of the unfinished edges of the bags will be facing each other. Line up and pin the zipper similarly to step 4, except right side of zipper to right side of fabric. Sew down the center of the zipper tape on both sides, then turn the whole bag right-side-out and topstitch through the fabric and zipper tape to secure. For tape-to-inside zippers I prefer to topstitch very close to the fabric fold instead of near the edge of the zipper tape (I bump the regular sewing machine foot against the zipper teeth with the needle centered), but it is a matter of taste.
  • Single pocket pouch: It you only want one pocket, cut only one piece of fabric, and skip step 3 entirely. Install the zipper with the bag right-side-out to have the zipper tape show, and with the bag inside-out to have the tape (somewhat) hidden. If you have directional fabric you may want to piece, as in the first tweak above, regardless of how much fabric you have to work with.
  • Lined pouch: I have not made a properly lined bag, just one where two layers of fabric were treated as one. If I were to try it, I would start exactly the same way but with 4 pieces of fabric instead of 2, and without zigzagging anything. After constructing the individual pouches I would connect lining to outer fabric of each pouch in place of hemming the hidden side of each pouch in step 3: put lining inside outer (or vice-versa), right sides together, and sew along that edge at 1/2″, with the side seam allowances open so they’re caught in the sewing. Turn the whole thing right-side-out so the lining is nested inside the outer fabric, wrong sides together. Get your seam allowances and so forth tidied up, press, and topstitch close to the seam. Then use the zipper installation to connect the lining and outer fabrics at the other half of the open edge, treating them as a single piece of fabric. Basting or zigzagging them together along the raw edge before installing the zipper might make it easier.

Sizing your own bag

If you know what finished measurements you want for width, height, and base breadth, you can calculate the fabric size needed and where to place the seams. Once you’ve constructed the individual pouches the only thing that will change in the rest of the instructions is the measurements for sewing the pocket that connects them. The important consideration there is to have something that connects them through at least half of their width and height. If you make very small pouches you might not be able to have a pocket, but you should still make two seam lines down from the open end, about a quarter of the way in from each side seam.

Choosing your size

When deciding bag size, note that the sides of these bags are theoretically tall, narrow triangles – but in practice, the contents will settle and the long triangle edges will bulge outward, converting some width into breadth.

The combination of that with the intentional flattening of the bag as you go up from the base means you need a generous amount of ease, and the fuller you want to pack the bag, the more ease you need. The marker pouch I describe above has finished measurements of 9″ width and 1 1/4″ breadth. I made it for Tombow brush pens, which are 7 1/2″ long. I’d previously made them a bag with 8 1/2″ width and 1″ breadth, and once the bags were over half full the pens were quite tight in there. The extra base breadth means they won’t reach half-full as quickly, and the extra width means when they get there it won’t be as snug.

I prefer a zipper that sticks out from the bag by an inch on each end, which requires a zipper at least 2″ longer than the finished width of the bag. This helps with the bag opening fully and also makes it easier to sew the zipper to the bag.

Fabric and seam measurements

The whole computation is based on this fact: the breadth of the base will reduce not only the height of the bag, but its width. If you want a 6″ wide bag with a 1″ base, you need 7″ of width to start out with, plus seam allowances. For a 5″ high bag with a 1″ base, you’ll need 11″ of fabric to start, plus seam allowances.

I recommend a half inch seam allowance at the opening, because that works well with the zipper installation and getting the enclosed edges away from the zipper teeth by enough but not too much. You could use a smaller seam allowance on the side edges but that would be asking for absent-minded mistakes in my case, so I use 1/2″ everywhere. To keep things a little simpler below, I’ll assume that seam allowance instead of leaving it as a variable.

In sum, your fabric cutting measurements are:
width: finished width + base breadth + 1″
height: (2 * finished height) + base breadth + 1″

To fold the fabric and mark your seam lines, the important measurement becomes tuck depth, 1/2 of the base breadth. The term “tuck” refers to the accordion fold you make in step 1. After folding your fabric in half wrong sides together, you’ll fold each half back so that the original fold and the two new folds are one tuck depth apart.

Your seam will start 1/2″ down from the opening edge and (1/2″ + tuck depth) in from the side edge. It will angle outward until it is a tuck depth up from the bottom edge and 1/2″ in from the side edge, and then go straight down to the bottom.

Sewing diagram for custom size bag

If you work in metric would could probably round the half inch seam allowance down to a centimeter, but you might want to turn down a bit more than a centimeter on the enclosed edges (hence start your side seam more than a centimeter down from the opening edge).

Bag sizing examples

The dark bag with gold accents was the original Tombow bag, the one that turned out to be too snug. It is 5 1/4″ tall (per the enclosed edges – more like 5 1/2″ total because the zipper doesn’t carve off a full 1/2″ seam allowance) and 8 1/2″ wide, with a 1″ base. So my fabric measurements were:
width = 8 1/2″ + 1″ + 1″ = 10 1/2″
height = (2 * 5 1/4″) + 1″ + 1″ = 12 1/2″

With a tuck depth equal to the seam allowance, the seam calculations become very tidy:
start seam 1/2″ down from top and 1″ in from side
sew diagonally down/out until 1/2″ in from both bottom and side
sew straight down to bottom at 1/2″

The bag given in the instructions beginning this post was designed to the the same height but an extra half inch wide and with a 1 1/4″ base:
width = 9″ + 1 1/4″ + 1″ = 11 1/4″
height = (2 * 5 1/4″) + 1 1/4″ + 1″ = 12 3/4″, rounded up to 13″

Weeples!!!

At work I am the Google Analytics Evangelist, and as part of that I put together a training program for my coworkers. I wanted to gamify the program with some form of achievement badge, hopefully making it easier for people who want to learn in theory to motivate making the time in practice.

When I was a kid we got weeples as fundraising incentive prizes: small puffballs with eyes, feet, antennae, ribbons with messages on them, and sometimes other accessories. When I remembered those, I knew I’d found the perfect achievement badge.

So I made them!

weeples all together

…but how do you make your own weeples?

Puffballs and eyes are obvious, and I had learned sometime prior that artificial flower stamens were commonly used for antennae. The rest needed some research and development.

This got to be a very long post. More details than you likely require follow, behind a cut. Continue reading Weeples!!!

Inevitable Baskets part 2

Last time I showed you five of my recent batch of nine crocheted baskets; here are the remaining four.

Cabled Urn

cabled basket from the side

I wanted to play with crochet cables on this basket, those lovely stacked front post stitches. I kept it simple – I experimented with crossed stitches and stitches that were at strong angles, and it appeared to me that in basket form I was best off keeping to individual, discrete cables, which I made with front post double crochet. They wander back and forth within a three-stitch width, moving one stitch per round. Amazingly, I don’t remember pulling out many stitches because of getting the cables in the wrong place.

cabled basket from top

I don’t know whether it’s the cables or the basket sinking a bit under its own weight (or both!), but the way this basket is narrower in the middle than at the top or bottom is very appealing to me and the reason I think of it as an urn. The darker stretch in the center probably enhances the effect – this basket was made with a strand of brown, a strand of green (although three different greens from beginning to end) and a strand that variegated between brown, white, and purple.

cabled basket at an angle

The top edge is alternating double and single crochet stitches. You have to poke the double crochet stitches to the outside by hand but it turned into a nice finish; visual continuity with the cables without trying to extend or duplicate them.

Big Dotted Basket

dotted basket from the side

This basket got a leeeetle big. But it’s now exactly full with the materials for one craft project, so actually, it was just right.

Although they aren’t nearly as pointy, the dots are almost the same mini picot as on the top edge of last post’s sunflower bowl. Finish a single crochet, chain 2 and slip stitch in back bump of first chain. Continue with single crochet in the next stitch. They are 8 stitches apart and offset by 2 stitches per round; I started them one stitch into a round so I’d never be making one in between the first and last stitches in a round.

In the round after the picot, when you reach it push it to the outside and stitch in the single crochets before and after, keeping it as tight to your other tension as possible. I found the picots didn’t achieve full polka-dot-ness until two rounds after.

I also found it was remarkably easy to forget a picot and ended up pulling out and restitching probably 25% of this basket to add ones I’d missed.

dotted basket from top

In the top round I wanted to continue the dotted idea and used puff stitches periodically. I also left some unused back loops to attach handles. The handles are each composed of two rows: one all chains, and one that begins and ends with chains but is double crochet into the other chain in the middle. I’m pretty meh on how they turned out but I’ll probably experiment more with handles in the future.

Strawberry Pot Basket

strawberry pot basket, angled

I had a question: could I make little outcropped pocket/openings on the side of a basket like strawberry pots have? The answer is yes; the new question is whether a basket with strawberry-pot-like outcropped pockets has a purpose in this world.

The basket is mostly single crochet in joined rounds. The pockets are (half-double crochet, double crochet, chain, double crochet, half double crochet) all in the same stitch. In the next round, skip the whole lot and chain 1 instead, and in the round after that single crochet in each sc and around those chains.

strawberry pot basket, from the side

The top is alternating half double crochet and triple crochet, because I felt the need to amp up the cabled urn’s edging. To finish I made a round of slip stitches from the inside; I thought tightening it up would be good for the strawberry pot look, but I didn’t want the ring of loops showing.

Out of Season Icicles

icicle basket, from the side

At this point I thought I might as well start treating my baskets as individual art projects, with their own names. Out of Season Icicles is an idea I had for making a double-spiral basket more unified, with front post double crochet cables of each pair of yarns crossing the rows of the other yarns. I started them gradually so they would be varying heights, with a long spike stitch down to the previous row of the same yarns to begin. The first front post double crochet is actually around the front loop of the spike stitch rather than the post, to make it a point at the bottom of the cable – otherwise it more resembled an arrowhead.

Side note: this was the only basket in this post crocheted in a spiral instead of joined rounds.

icicle basket, flattened

I messed up the beginning; I increased as though each spiral was independent, which meant I got into rippled hyperbolic plane territory pretty early and had to hit the brakes on increases to get it to somewhat flatten out again. It seemed to fix itself, though it doesn’t want to lie flat except when I’ve just hand-blocked it in place. At the end I stopped each pair of strands halfway across from each other and did a needle join in the second stitch to finish off.

To get an “eave” at the top I started a new round with all four strands together and a larger hook (K/6.5mm), and increased in every other stitch (not sure why I decided to increase SO much), completing the connection to the icicles by making fpdc with only the appropriate two of the four strands, back to all four for the last YO of the stitch. I finished by using an even larger hook (N/9mm) to make crab stitch in every other stitch.

Incidentally, I discovered I have two N hooks and they are not the same size – one is 9mm and one is 10mm. This is odder because they are both Boye. The larger one was purchased this spring; the smaller sometime early in my crochet career, probably winter 2010-11.

icicle basket, from the top

Anyway. I like the idea of this, and may come back to it, but the basket did not come out. How much of its sagginess was the messed up beginning (possibly most of it), how much the unnecessary increases at the end, and how much the awkward tension of the fpdc I can’t say, but this is one melted-looking icicle basket.


Tune in eventually for another episode of Crocheted Baskets!