Preventing Low-Riding Pants

Pants are difficult. Especially dress pants. If the hips and thighs fit, the waist is at least verging on too big. But dress pants’ waistbands are awful to alter – layers and belt loops and topstitching and often no pre-existing seams. What to do?

I realized that my current dress pants fit great right out of the wash, but as the fabric relaxed (mine all have a little lycra in them) they would sag down on my hips, ending up too low – they didn’t look or feel good and they became too long. I envisioned pants where the legs were made of the gently stretchy fabric but the waist was made from something with no stretch at all, and realized I could mimic that by stabilizing the waist with something non-stretchy.

So here is the technique! I did my first round of waist stabilization back in February, so I can attest it does work. It shows from the outside, but isn’t obvious, especially if you wear your shirts untucked as I do.

Acquire some narrow grosgrain ribbon, or another non-stretchy material.

1. Pin the ribbon to the inside of the waistband, just far enough from the top edge that stitching through its center will be below the top of any belt loops the pants have. You will have to pin from the inside of the waist but sew from the outside of the waist, so have the points of your pins sticking out on the outside of the waist or buried between the layers of the waistband.

grosgrain ribbon pinned into hem of dress pants

2. Looking at the outside of the waistband, sew a straight line down the approximate center of the ribbon. It is more important to have it straight relative to the edge of the waistband than relative to the ribbon. When you get to a belt loop, sew a bit underneath it and then backstitch. Lift your presser foot, pull the fabric out a little (so there is a small loop of thread) and start stitching again past the belt loop, starting with a backstitch to get as close as you can to the belt loop (underneath if possible).

navigating belt loops 1: approaching and sewing underneathnavigating belt loops 2: repositioning past the belt loop

navigating belt loops 3: backstitching to the belt loop

3. Trim the ends of your thread and the loops that bypass each belt loop. Complete!

stabilized waistband, stitched but untrimmed

Taking Out the Hems of Dress Pants

I’ve known for a long time that the commercial blind stitching used for hems of many dress pants and skirts is a chain stitch, which will pull right out if you start it correctly (and knot up if you don’t). Just this weekend, however, I figured out how to reliably start it correctly.

diagram of blind stitch and its removal technique

If you look at hem stitching with the end of the pants leg downward, it looks like the drawing above: a series of horizontal dashes with little slanted teardrops extending down in between the dashes. The stitching will pull out to the right. If you can easily see what you’re doing, you can pick away at the loose end of the thread – the left-hand end of where the blindstitch overlaps itself – until the loose end is attached directly to a dash, and pull from there.

If you can’t easily see what you are doing, as was the case with me this weekend (busy fabric, probably inadequate light), you can still pull out commercial hem stitch. There are four steps, shown in the diagram: first, cut the thread toward the left end of a dash. Second, pull the dash’s thread toward the right. It will probably get hung up a little (if not, keep pulling!). Third, pick at the teardrop to the left of your cut in order to free the dash thread. Fourth, pull the dash thread to remove the stitching as far as it will go!

When you can’t start at the very end of the stitching you’ll need multiple rounds of pulling to remove all the stitching, but it’s still very quick – especially compared to a seam ripper!

Fabric bowls

I wanted a corral for my little salad dressing containers for my lunches and thought I remembered coiled fabric bowls in my Scrap Users collection. That was not correct – there were bowls, but they required additional materials. I thought I could do without, though, and whipped up a little bowl. Now for the Sew-op sale coming up, I have a few more.

fabric bowls all together

They’re easy to make: four-inch-wide strips of fabric, joined end to end with 1/4″ seams, seams pressed open and then raw edges of strips hidden in two steps. First, press the strip in half the long way, wrong sides together, and then fold the raw edges into the crease and press again. Twist the strip and coil it like a braided rug, sewing the rounds together with a wide zigzag.

prepped fabric strips for bowl-making beginning a fabric bowl

The direction of coiling shown above is easier, so that the main portion of the bowl is under the arm of the sewing machine. There’s more room to work that way for the next step.

When the bowl is nearly as big as you want, hold the flat of the bowl up at an angle to join additional rounds. Eventually the base of the bowl should be nearly vertical.

angling the base to make the sides of the bowl a fully shaped, though not complete, bowl

Once I got out to the end I turned around and sewed right back to the middle again, to make sure it was fully secure. There were skipped stitches and places where I was too off center to grab both strips, so going around a second time accounted for both of those.

I don’t have a formula for determining strip length from desired bowl size, but I did record the lengths that went into these bowls.

three fabric bowls

The rainbow bowl was the largest, coming from a 5 yard 4 inch strip. It’s also lopsided; like throwing pottery on a wheel, getting symmetry with these takes some practice. The bright stripey bowl was from a 3 yard 27 inch strip, and this brown striped bowl was from a 1.5 yard strip.

three fabric bowls

This brown striped bowl, on the other hand, was from a not quite 1 yard strip. The purple and green bowl was 3 yards 11 inches, and the pinkish floral was 3 yards 8 inches.

I also learned in my sewing that while Gutermann’s metallic thread isn’t bad at all – though it does have all the usual tangly problems – Sulky’s metallic is impossible. It gave me profoundly high tension without even putting the presser foot down and eventually I just gave up on it.