I’ve kept adding roughly a page a week to the notebook. Here are some materials and techniques that I’ve used:

1. Magazine, catalog, and other clippings – the cover of my tiny notebook is actually out of a credit card offer, and the ampersand in the photo below is out of a newsletter from my health insurance company.
2. Printouts from the internet – sometimes I look up a specific image that I want (since I’m unlikely to draw it to my satisfaction!), and sometimes an image crosses my path that’s worth hanging on to.
3. Stickers – I especially like letter stickers because I have limited skills with hand-lettering, but any stickers with suitable symbols or messages are welcome.
4. Crayon resist watercolor – write a message in light-colored crayon (assuming you’re using white paper), and then paint over it with very wet watercolor. Makes a mess of neighboring pages but a really nice effect; slide waxed paper underneath the page you’re painting to protect the next ones down. If you can go really wet, put drops of paint onto wet paper and the crayon marks will (imperfectly) contain them as they spread. The photo below is that effect, done on index cards.
5. Sharpie with colored pencil background – the permanent marker will lay down enough color that you can color in the background afterward with just about any colors and still be able to read it.
6. “Crayon resist markers” – this doesn’t really work the same way as with paint, but you can write with crayon and color over it with markers and get a somewhat similar effect.
7. Just writing, but with colorful pens – I have a set of gel pens I’m mildly obsessed with (Pilot G-2 Metallics), so sometimes I just write whatever it is I’m recording with them.
8. Marked-up writing – however your message is recorded, you can underline, circle, put arrows to, or otherwise highlight the key words with doodling.

I keep some newspaper and waxed paper with my art supplies to protect neighboring pages and my desk from my various experiments. None of my art supplies are “artist quality”; most are Crayola products aimed at grade schoolers.

I think my problem before was two pieces: overly high expectations for what I could/should produce, and expecting to just know what to put into the art journal. You see pictures online of people who art journal extensively and they appear to fill two facing pages of a large sketchbook every day with renditions of the thoughts and events of their lives — that’s not going to be me, and I should recognize that! Two-dimensional art has never been my medium, and I’m not going to suddenly know how to draw or paint by magic; I’ve also never maintained a diary for more than two months at a time, so why would it suddenly be easier to maintain one that requires a lot more effort?

For me, art journaling is more about making things that stand out in my mind also stand out on paper – and I don’t have two pages a day of that kind of content.

In fact, for a long time I had very little of that content. I have found, however, that adding “non-art” journaling to my life – which is still not diary-style, and about which more in future posts – has created the contents to put into the art journal. Funny, that – taking time specifically to think about my life has allowed me to articulate the things I want to remind myself of. Kind of a big duh but it was only clear to me in hindsight!

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The stamps I wanted were planner stamps: a recycle symbol to mark recycling pick-up days, and an envelope back to make occasions for which I want to send cards. That way they could be large and visible without really taking up space, because I could write over them easily. I indentured my husband to play with paint with me.

I had two kinds of 3D paint in my stash: Tulip dimensional fabric paint and Scribbles 3-dimensional paint. The taller bottle of the Tulip was easier to control (more in squeezing than aiming), but the Scribbles seemed to keep its shape better while drying – Tulip flattened out a bit. We found we needed 3 rounds to get truly good images. The papers in the picture below show the images after 2 rounds (rectangular) and 3 rounds (hexagonal) of painting – the third round was really just local touch-ups.

As you can see from the Oh You stamp on the hexagonal paper, you still have to be careful and press on all areas of the cap to get a good impression. If you catch the paint at the right moment you may be able to flatten it down a bit while it’s dry enough not to stick but still soft in the middle; I was able to do that to some extent with the recycling symbol.

All in all, though, it’s a great idea – quick, easy to correct errors (more than just heightening low spots: you can see the giant smear of paint in the first image, and there were others on different sheets of newspaper), and fun.

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I thought I’d show you the steps so far. I started with a large piece of yellow fabric and some pieces of green that I cut out into fiddlehead shapes. I sewed the spirals on with a straight stitch down the middle of the strip of fabric and zigzagged the outer edge of the background.

Then it was time for paint. I wanted a darker green than the fiddleheads at the bottom, and for whatever reason was completely attached to a rosy pink at the top. I also wanted an irregular gradient, so I diluted fabric paint (green with a little black) in a fairly tall, narrow jar, rolled up the fabric, and dunked it in. I happened to have a rolled-up piece of light cardboard — originally the center of a roll of wrapping paper — that could hold the fabric tube upright during the dunking. My hope was that the fluid would wick up the fabric, but gravity would keep it most concentrated at the bottom. I also expected the white design on the yellow fabric to resist the paint.

And it did! There is the green, still wet, not as dark as I imagined but just fine as is. I left the fabric in the jar overnight, and it crawled much further up than I expected (especially given the amount of fluid left in the jar the next morning). I love how much further up it extends on the right, which was on the inside of the roll, than the left.

For the rosy pink I mixed pink with a little red and gold, and decided not to repeat the capillary action method, lest I get a muddy mess where the colors met. Instead, I mixed up less-dilute paint, scattered it across the top of the fabric, and used my hand (and water in a spray bottle) to distribute it to be unbroken across the top, with an irregular bottom margin. There was some drippage, which was perfect, although I did have to rescue one fiddlehead from a pink splotch with a judicious spray of the water bottle. Here’s a very sunny picture of the wet pink paint.

The next step will involve heat-setting and washing the fabric, but the paint has to set for 72 hours first. This project will see you again next week.

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But this post has nothing to do with him. I have a couple of friends who have adopted “Just keep swimming” as a mantra, and that inspired me to make a small plush regal tang (also called a blue tang, but that name is used for multiple species) for a keychain.

After looking at Google Images for a while, and then through my fabric stash, I went to the store, made a couple of versions, and ended up with this:

An amalgam of craft techniques are represented. Although the felt is acrylic, I needle-felted the tail and fins onto the body, with some extra wool on top. The eyes are shank buttons pushed through a small slit in the body felt, with a second button on the inside of each to keep them from pulling out again. I had to hand-sew the region nearest the eye, but the rest of the perimeter was sewn by machine. After trimming my seam allowance –perhaps past the best point– I painted the navy blue details and dripped some Fray-Check on the stitching that wasn’t painted. I opened a small hole for the keyring with a large needle.

It’s pretty substantial for a keychain, but it could be hung up elsewhere too.

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This simple bag was actually whipped up for the organizational meeting. It’s two pieces of leg trimmed to equal size and sewn flat against each other, left open at the top and a little way down each side, after a strap had been sewn to one of them and the part of each that would be left open had been stitched across. I made a straight stitch about a half inch in from the edge so it could fray, and the strap has two slightly offset lines of zigzag stitch down the center. It’s all done in the thread color I refer to as “jeans gold.” After washing it I trimmed the sides, combed the bottom and gave it a little haircut as well.

This wall hanging was primarily to demonstrate the hanging method, dowel with string wrapped around it and hot-glued in place. I stitched around with a narrow zigzag about 5/8″ in from the edge, cut the fabric with a utility knife, washed it, and colored the slits with Crayola fabric markers. After stitching the button on I cut dowels to size and sanded their ends, and ran hot glue along the dowel against the fabric. If I had a higher temperature glue gun I may have been able to run the glue on the fabric and stick the dowel on afterward, but with low-temp the beginning of the line had solidified by the time I got to the end.

This guy was whipped up quickly with acrylic paint and those cheap plastic-bristled kids’ paint brushes. I used brown, copper, black, pearl, and glow in the dark. I couldn’t get a good picture, but the eyes, teeth, and claws glow.

The most admired item, however, was this bag made from the top of a pair of jeans. I cut off the legs, undid the inseam, and sewed a seam across. Since the back of jeans is wider than the front, I added a pleat just inside each back pocket to accommodate that. I had originally placed the side seams to minimize the width difference (the outseam is the topstitched one, so you have to fold on one or the other side), but the jeans had additional pockets below the right back pocket so I changed that to try to minimize the number of layers I was stitching through. To line it, I cut a rectangle of fabric a bit wider than the base of the bag, folded it in half and sewed the seams adjacent to the fold. Then I folded down the top so the pocket was as deep as the base of the bag to the bottom of the waistband (as measured by eye from the outside), pressed it, and hand-stitched it to the bottom edge of the wastband inside. I also stitched the inside of the waistband shut, but you can actually access the space between the bag and lining through the fly. All the pockets still work, as well.

The strap was the most time-consuming of the whole operation, because I braided it out of five lengths of ribbon (using these braiding instructions). I very much like it, though, and it seems to want to stay smooth and flat. After threading it through the belt loops I tied the like-color ribbon ends together in interleaved square knots (tie half of each, then the second half of each, so some of them are entangled), trimmed them, and glued them with Fray-Chek.

I also brought along my denim coaster from the craft countdown. I had one more idea for a bag but not enough time to complete it… perhaps in the future.

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I like koi. Unfortunately I am not very good at drawing them. Matt suggested the barbels, which made all the difference in the world. You can hardly tell in the unglazed photos that the background is blue, although that is more the fault of the rather awful lighting in the pottery place.

Matt made his almost a comic strip. I am incredibly impressed by his ability to draw in pen (or paint).

After I took the pictures he painted the handle and bottom purple.

And without further ado, the glazed fish plate.

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