Copyright and licenses

law-40007_150I have begun sewing items for a November sale to benefit the Sew-Op, and it made me think of the selvedge notices I’ve seen recently that say something like “For non-commercial home use only.” Is that restriction legal?

With the big disclaimer that I am not a lawyer, rights laws are complex, and particular cases are always subject to a jury’s interpretation, I thought I’d share what I’ve learned in my research.

First off, most sources agree copyright does not prohibit selling items made with the fabric, although it is certainly illegal to mislead people into believing the item is associated with the brand of the fabric rather than simply made with those materials. The doctrine of first sale is typically invoked to defend this, based on the beginning of Section 109 of US copyright law (page 16 of Chapter 1):

the owner of a particular copy or phonorecord lawfully made under this title, or any person authorized by such owner, is entitled, without the authority of the copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord.

Copyright prohibits copying the design on the fabric and using it on your own fabric, scrapbook paper, screensavers, etc., or claiming that the design is your own.

In that case it is more appropriate to interpret the selvedge warning as a license agreement, similar to the end user agreements most software makes you OK in the installation process. [See Counterfeit Chic.] This is an agreement you make at the time of sale to honor certain requirements and restrictions set by the seller. The rub here, though, is that the purchaser of the fabric (at the retail level; different agreements may be made for fabric sold wholesale) never makes any verbal or written agreement to abide by the license, nor in fabric stores is there ever a sign over the registers to the effect of “purchase of fabric constitutes agreement to all stated license restrictions.” Law sites Tabberone and legalzoom both conclude there is no legal standing for restrictions on fabric use in items for sale, but both suggest including a disclaimer to avoid the impression that your products are in any way official or endorsed by the fabric designer.

Of course that doesn’t stop a fabric designer – particularly a big company – from attempting to sue for license infringement. I haven’t found a case that was won by the designer, but small time crafters may not have the money (or sufficient incentive) to fight and may simply cave at the first Cease-and-Desist letter.

So I looked in my stash. Granted, not all of my pieces have their selvedges still attached, but in an entire drawer of fabric (none in large quantities, so there were a lot of pieces) I found only two with “non-commercial use only” messages. This is likely partially due to my general lack of interest in licensed characters on my fabric, and my cheapness which leads me to avoid fabric designed by big names. Abiding by the request would not restrict my resources much.

I do wish some legal expert would write a book on copyright law for craft, with a focus on craft that uses materials farther down the production stream (no one copyrights lumber) and craft where patterns are being sold in addition to finished items. The Craft Artist’s Legal Guide barely scratches the surface of copyright and did not have anything to say about the topic of this post or about copyright protection for patterns. [For what it’s worth, the most reliable sources I’ve read say that, just as purchasing a copy of a play does not give you the right to perform it publicly, purchase of a pattern does not give you the right to sell items made from that pattern.] I would snap that book up. There are so many people on the internet who are all sure they are correct but who cannot all be correct because they contradict each other, and this is still true even if you restrict to people who identify themselves as attorneys!

Stay tuned for Monday’s post. I am very excited about it – it would have been today’s post but there were some technical problems that caused delay.

First Friday

at-signs I’ve been pretty obsessed with productivity and organization recently. It started with wanting to get my horrifying email situation under control – messages from last fall that were unanswered as of this June. It expanded from there, though, because as someone who works from home for herself and various contract employers, I am fully responsible for making good use of the hours available.

I started with Getting Things Done, the system in David Allen’s book of the same name. I actually haven’t read the book; there’s enough material online to get you started (in addition to the summary above, try zenhabits and 43 Folders). My initial goals were Inbox Zero and emptying my brain. I started by purging my email inbox of everything that could have been archived or trashed long ago, clearing space for a physical inbox in my work area at home, and writing down everything I could think of that I wanted or needed to do, regardless of deadline or level of detail.

Next was processing my lists into a more organized form (which took multiple drafts) and dealing with the items left in my email and physical inboxes. Inbox Zero actually refers to the state of having decided what to do with each item, not having necessarily done any of it, which didn’t seem that helpful to me because it is too easy. My initial goal was Inbox Zero meaning everything has actually been dealt with, but early on I realized that’s a moving target. I settled on having nothing more than three weeks old to deal with. I’ve already fallen off that wagon once, but five or six week old email is far less anxiety provoking than eight or nine month old email, so getting back in shape is easier.

option-cards In order to actually do my projects, I tried out a few to-do list schemes. Possibly the main point of Getting Things Done is allowing you to work without worrying there is something more important you ought to be doing instead, because you’re on top of your project list and know everything important is on track to being done on time. I did not have this experience. I was drowning in a huge unsorted list of projects.

One of the traits of academic life I disliked was the feeling of never having done “enough” work. If there was more time, there could be more work, and should be more work. In addition to not being sure how to prioritize my projects, I was in danger of having no (reasonable) definition of “enough” in my new career either.

Enter David Seah and the Printable CEO. A Sew-op friend tipped me off to his site, where he wrote about the same problem I was having: how do I make sure the work I’m doing every day is actually moving me forward? His answer was a point system and bubble sheet. I had to change the contents of each point value, since it was aimed at graphic design and programming, but the idea transferred. I’m still tweaking my point system, having begun just a couple of weeks ago; for now suffice to say it seems to be working well.

I realized this would also help me keep track of hours worked, if I adapted the record keeping. I made my “bubble sheet” a set of 4×4 grids, each square corresponding to 15 minutes of work at the grid’s point level. I had previously tried to keep track of time hour by hour, with a list on which I would write how I spent the hour, a check box (so I could plan ahead as well as record), and a space to write which day of the week I did it. It was cumbersome and I abandoned it in a month. This is working much better. Four categories with check boxes make for easy recording, and combined with the point accrual I enjoy doing it. However, it’s still enough division to keep me on track.

Dave also has a nifty Creative Cootie Catcher that I couldn’t resist, even though like his original Printable CEO it isn’t quite adapted to my work. And in case you’re looking for other productivity inspiration, here’s a long list of productivity tips, in which you are bound to find something that strikes your fancy.

Images in this post from a lovely site I just learned about called Pixabay.

Found project bag

The hubs and I are thrift store fanciers, and the main thrift store in town closed its main location a while ago for a huge renovation. They reopened two weeks ago or so, and we finally made it this Sunday. It was lovely! So much room to move around! I just want to show you the purse I found, which is to be my main project bag.

new bag - beads new bag interior
Parquet….. butter.

There are two pieces of velcro sewn inside, and when I clean it I will remove the hook side. I plan to leave the loop side in, just in case I want to attach something to it later.

I wasn’t sure at first I wanted to drop a fin on it. What finally convinced me to get it was the goose on the left. It looks like the beading was done by a robot – on the unbeaded side you can see there is a wide white line around the goose, but what human would outline it like that?

new bag - bare

It goes well with my travel tool kit, a small clutch I bought eons ago because I liked the stripes (fine irregular stripes are my favorite color). It’s long enough to hold hooks and pens, and just the right size for everything I need, including a few skeins of floss when I’m embroidering.

new bag with kit

My old project bag was a freebie from Self magazine (my mental junk food for several years), but in conjunction with my travel tool kit I looked like I was obsessed with pink stripes, and they didn’t even coordinate well. The new bag has more internal pockets and is roomier.

old bag with kit new bag with old

You can often see my hubby’s thrift store finds on his zine blog, including a winner from this week.