Finished sampler and class

Tonight is my embroidery class! I am all set. I have my sampler:

sampler

I have other examples of embroidery to show them:

examples

(not shown: Children’s Book Quilt embroideries, Saturation, a couple more cross-stitch pieces, as well as some pictures of pieces I found online)

All but one of the pieces above are by me; the tea towel was a flea market find.

I have a blog post on the Sew-Op’s blog with informative and inspiring links.

I have a box of floss:

floss for class

I have handouts!

handout

(not shown: a few hand-drawn rub-on patterns of simple things)

Incidentally, I wound all that floss by hand, half a skein per bobbin. At some point I decided to unwind and halve a whole bunch of skeins at once, thinking I might like it better if I could just wind and wind and wind. I almost didn’t want to wind any of it because it was such a pretty installation art piece:

floss waterfall

Wish me luck!

P.S. Happy birthday, Mom!

Chain, fly, feather stitches

This panel of the embroidery sampler got a little bit for its britches. It covers chain stitch, its close relative the feather stitch (which is also related to blanket stitch), and the fly stitch, which cosmetically resembles feather.

chain and fly panel

The chain stitch is a caught stitch. If you only did half of it the thread would tighten down to a tiny little straight stitch. To make it, with the thread to the front of the fabric, take the needle down right next to where it came up, and before you tighten the thread, bring the needle up again a bit away and catch the previous stitch’s thread. Now pull through and tighten (but not too much!) and you should have a teardrop. To finish the row, just make a little tacking stitch by taking the needle down just outside the final teardrop. That is also what you should do to end a thread. Begin a new thread by taking it up just inside the final teardrop and proceeding from there.

making a chain back of chain

The back of chain stitch looks like the front of backstitch: a bunch of straight stitches end to end.

chain variation

Just to try it out, instead of putting the needle down right next to where it came up to make the loop, I put it a bit back along the chain. The point end of the teardrop gets a little bit pointier, and the reverse-side stitches overlap a little.

If you decide to make the ends of the teardrop stitch a bit away from each other (perpendicular to the line of stitching), you can get open chain. This one’s a little more complicated because you can’t tighten the stitch until you’ve come up and gone back down again for the next teardrop. I recommend not pulling the needle all the way through the fabric on the down stitch and tightening by tugging the thread by hand, to avoid accidentally overtightening the thread for the next loop. That is not fatal, of course; you can always pull it back to the front of the fabric, but it is annoying.

open chain Cretan and feather

If you decide to catch each loop of open chain under only one end of the following loop, it becomes feather stitch. Actually, in the second picture above, it starts out as our old friend Cretan stitch and only becomes feather when it starts getting that distinct V shape. Proper feather stitch alternates the side the free end sticks out on; if you keep the same side (say, always catching the previous loop with the left end of the next loop) it is called one-sided feather stitch and looks an awful lot like blanket stitch.

Feather stitch can look very different if you vary the position of the stitches. On the left below is long-armed feather, which has a plant-like look, and on the right is closed feather, which looks more like a trellis.

long armed feather closed feather

If you basically start from scratch every stitch with feather you get fly stitch. Properly speaking, fly stitch is an isolated stitch, and if you work it all in a line like the picture below it is closed fly.

fly stitch from the back

To make fly stitch, with thread to the front of the fabric, bring the needle down a bit away and then, before tightening, back up to make a triangle with the three points. Catch the previous loop and tighten. Take the needle down through the fabric either just over the loop or a bit further in the direction the V points, and then back up to the side to start the next fly.

As with feather, you can vary the lengths and starting and ending positions of the stitches to get very different looks. Individual fly stitches are shown below as well.

fly fern fly isolated

Back to chain stitch for a couple more. The magic chain stitch is much easier to make than it looks. You need to thread two different color threads on your needle, full complement of strands of each.

magic chain

The only difference from standard chain is that each time you come up you will catch the threads of only one color. Also, every other time you will have to tighten the thread by hand; the remaining time the color you want to tighten will be shorter than the caught color, and pulling the needle will suffice.

Finally, some isolated versions. On the left below is the isolated chain stitch, or lazy daisy. You get different effects making the tacking stitch long or short.

isolated chains isolated chains

When diagonal straight stitches are laid on either side of a lazy daisy, the result is tete de boeuf. I have no idea why, since the rightmost stitch above, the wheatear, looks much more like a bull’s head to me. The wheatear is a hybrid stitch; it is a fly stitch finished off by an isolated chain.

Now, I know these stitches maybe don’t seem as decorative or a functional as the others – good for outlines and plants and not much else. However, they can be beautiful when done creatively. I went looking for examples and found a number: samplers on CRAFT show sometimes neat stitching and good color choice is all it takes. Susan at art of textiles has a long-stemmed fly stitch that reminds me of seedlings. And Raphaela at Textile Explorations, whose blog I will surely explore further, has entries dedicated to feather, chain, and detached chain.

That concludes the individual panels of my sampler. The embroidery class is in three weeks; we’ll see the finished sampler then.

Straight stitches

This week’s installment of the embroidery sampler covers running stitch, backstitch, and variations thereon. These stitches somewhat unnecessarily take up two panels of the embroidery sampler.

running

running

Properly speaking, straight stitch is an isolated stitch. Anything that involves only bringing the thread up at one point and taking it back down at a nearby point, far enough to make a dash. When you do this repeatedly at regular intervals, it is called running stitch. Running stitch looks the same on the front and the back, although offset by one stitch length. The back is shown mostly to give you an idea of securing the loose end of the thread.

running stitch from the back

Backstitch is slightly more complicated, but not too much so. In backstitch the stitches are worked in the opposite direction from the one in which the line grows: stitching right-handed, the line grows to the left, but the stitches are laid down left to right. The opposite is true when stitching left-handed (though again, take this with a grain of salt, since I make my stitches any which way – I think it is easier to put the needle through pointing from your working hand toward your nonworking hand). Come up through the fabric, back up one stitch length, put the needle through to the back and bring it up to the front two stitch lengths away.

backstitch from the back

The back side of the fabric has stitches twice as long as the front, doubled but offset. Working backstitch “upside-down” and carefully you get stem stitch. Here, the stitches are twice as long on the front as on the back. What makes this different from backstitch worked on the wrong side of the fabric is that the overlap keeps the new stitch on the same side of the old stitch. Some sources will say it is stem stitch if each new stitch is above the previous and outline stitch if it is below but I can’t imagine that mattering to anyone who wasn’t competing in some esoteric embroidery knowledge contest. These stitches are laid down in the same direction as the growth of the line (as the stitches on the wrong side of the fabric in backstitch are).

stem stitch satin

When the stitches become very slanted and overlap more and more, it becomes encroaching stem stitch and finally satin stitch, as on the right above, used to fill areas in embroidered images.

Split stitch is a relative of stem stitch where the overlap of stitches is very short, and the new stitch does not lie above or below the old, but instead comes up through it. Since I was working with two strands of embroidery floss I just came up between them. You make a stitch, backtrack just a little, come up through the old stitch, and repeat.

split stitch

Holbein stitch is what you get when you double running stitch, offset so they form a continuous line.

Holbein Holbein

The first picture also has an example of running stitch worked at irregular intervals, and straight stitch used to make a star. The second example uses three different running stitches, a variation on Holbein.

Finally, back to straight stitch proper, as it is the best stitch for drawing. The embroideries for my children’s book quilt use straight stitch as the primary stitch.

drawing drawing

Somewhat unnecessarily, the green V stitches and the green 3-line stitches have names: arrowhead stitch and fern stitch, respectively. The others are just freehand, doodling with stitches.