Archive for the ‘embroidery’ Category

First Friday

Happy Friday!
My brain powered on before 3 this morning and let me sleep only maybe 45 minutes between then and coming to work, but I am still hoping to go see a friend’s art reception tonight and then (after a disco nap) hear some live music.

I am feeling in a Valentine mood. I recently discovered a poem I quite like called Valentine, by John Fuller. It really says it all. Of course, I think W.S. Merwin says it all as well, in only five lines, but he doesn’t enumerate the particulars.

Feeling Stitchy has a Valentine-ish stitchalong for February that involves bending the phrase “all you need is love,” with a heart at the end, out of wire, stitching it onto fabric, then filling the heart and dotting the i with stitching. You could do it with yarn instead of wire, or pipe cleaners, and with a lot of different phrases even if you wanted to keep the love/heart theme. I thought of these:
love conquers all
keep a song in your heart
live, laugh, love
how do I love thee?
love thy neighbor
faith, hope, love
love makes a house a home
love makes the world go round
you have the key to my heart
love is love’s reward
keep peace in your heart
trust your heart

You could replace various words with images – heart, obviously, but also key, and world, and even house.

I will have a little tutorial for a stitched heart charm no later than Valentine’s Day. I also have ideas for crocheting with something unusual and Valentine-ish, if I can track down the materials in time. Otherwise… we have three Craft Countdown posts left, and I’m teaching another alterations class in a few weeks, so there will be a post for that.

 

Century post!

Today is my 100th post on this blog. That includes the little nothing posts, of course, but I’m still going to count it. A little trip down memory lane: Post 10 was about amigurumi two peas in a pod, post 25 was about mending tears, post 50 was an early sketchbook update, and post 75 was the notice that my regular post, about science fiction embroidery, would be up later than usual. All of this unless I miscounted, of course.

Today I’ll share with you Craft Countdown item #6. It occurs to me this one was also not completely from scratch, as I had made the tracing and transferred it to wash-away embroidery paper prior to New Year’s Eve.

Lowly Worm!

If you don’t know who that is, get thee to a library or book store and look up Richard Scarry, who owns the copyright. I couldn’t relocate the specific source of this particular Lowly Worm image, unfortunately, and the colors I’d written down didn’t really make sense to me, so I used a mishmash of the colors from the books I did have accessible. This was easily the most time-consuming of the ten projects, but well worth it.

 

Simple cross-stitch patterns

I went through a phase some time ago of cross-stitching personalized gifts for people, often with my own designs. Some were in-jokes, some I no longer have the patterns to, and some were not really good enough to share, but I have a couple to show you. The first is an old-fashioned desktop computer:

oh, the majesty

I have the pattern available as a jpg should you want to make one yourself. There are no markings for the solid-color regions; the backstitching and keyboard keys are shown, and the rest is filling in appropriate regions. I wrote a personal message on the screen in backstitch; you can make your message more or less subtle by varying the color contrast. All color numbers are DMC, and of course the selections should be adjusted to your taste.

The one I have to share that I am more proud of, however, is the following.

camera!

The camera and ticket may be stitched together or separately; the pattern specifies DMC color numbers, but you merely need black and dark yellow of some flavor.

 

SF in stitches

This is my entry to the Feelin’ Stitchy “Covered in Stitches” embroidery contest. I love the covers of 60s and 70s (and even some 50s and 80s) science fiction books – all lurid colors and crazy images. This was the only one on my shelf I felt I had any chance of doing justice to, though:

SF embroidery

I am so pleased with how it came out.

SF embroidery

I just stitched without any grand plan, and couldn’t have foreseen how well his hand would come together.

SF embroidery

My other favorite detail is his left shoulder; I love how the threads blended and it looks like abstract art.

SF embroidery

Of course, I have since discovered that the colors on my copy were not as vivid as they had been originally and in particular some formerly different colors had become indistinguishable from each other. However, it still looks good to me.

To make this, I first made three or so blown-up color copies on my home printer. Then I just pinned one to my fabric and started cutting out sections. Here’s a shot near the beginning:

SF embroidery

And here’s a shot of when I finally started thinking, “maybe this will actually work.”

SF embroidery

And it did!

SF embroidery

 

Sketchbook update

This time around I have a page and a half to show you. I finally finished the back side of the very first page I stitched:

brown quilt

Since I have a lot of crafts with near-term deadlines, I didn’t do any hand embroidery this round. There will be plenty more of that, but I wanted to get something completed without spending several days on it. Hence, more machine embroidery. This time I colored the page before doing the stitching, and made the page pastel and the stitching black, like scratch-off coloring pages that are black over colors. I also switched from regular zigzag to a special diamond-shaped zigzag.

black diamonds

That was actually the underside while I was stitching. You can tell the kind of thread I had in the needle: copper metallic. Metallic thread is hateful stuff, but I am continually drawn to it despite that. Here’s the upper side:

copper and leaves

I worked it out and if the cover is included, I have to do a page a week from now on to finish the book on time. I’m not going to do exactly that; I’ll leave more for Thanksgiving and winter breaks. However, it was a boot to the rear to see those numbers! Starting in late November you can expect sketchbook updates to come slightly more than monthly.

 

Finished sampler and class

Tonight is my embroidery class! I am all set. I have my sampler:

sampler

I have other examples of embroidery to show them:

examples

(not shown: Children’s Book Quilt embroideries, Saturation, a couple more cross-stitch pieces, as well as some pictures of pieces I found online)

All but one of the pieces above are by me; the tea towel was a flea market find.

I have a blog post on the Sew-Op’s blog with informative and inspiring links.

I have a box of floss:

floss for class

I have handouts!

handout

(not shown: a few hand-drawn rub-on patterns of simple things)

Incidentally, I wound all that floss by hand, half a skein per bobbin. At some point I decided to unwind and halve a whole bunch of skeins at once, thinking I might like it better if I could just wind and wind and wind. I almost didn’t want to wind any of it because it was such a pretty installation art piece:

floss waterfall

Wish me luck!

P.S. Happy birthday, Mom!

 

Saturation

The finished quilt: a 6″ by 6″ piece titled Saturation. It will be shown at an art fair on Wednesday.

complete!

The title came before the design; I was considering a quilt of leaf-patterned fabrics but just wasn’t feeling it, and the Feeling Stitchy August stitchalong was on my brain as well. I started looking at the fabrics and seeing what I liked, and the rich, saturated colors were the ones that grabbed me. Colors are saturated when they are very far from a gray of the same lightness. I think of saturated colors as being Very: very intense, very themselves. They don’t have to be dark or primary colors, but they are not going to be neutral.

On top of the saturated colors I saturated the quilt with embroidery. I tried to find a way to put an additional level of saturation into the quilt but I didn’t want to be so literal as to make it evoke the molecular structure of a saturated fat, or the mathematical structure of a saturated bipartite graph. Two levels will do.

close-up close-up

 

Yet more embossed fabrics

The final batch of four. Check back in a week for the finished quilt!

orange orange

red red

blue blue

pink pink

 

Sketchbook update

Still working on really catching fire on this one, but I’m pleased with the page I have to show you today. I tried out my sewing machine, with a very fine needle and some multicolored rayon thread up top, white polyester on the bottom. Colored pencils did the rest.

recto verso

 

Chain, fly, feather stitches

This panel of the embroidery sampler got a little bit for its britches. It covers chain stitch, its close relative the feather stitch (which is also related to blanket stitch), and the fly stitch, which cosmetically resembles feather.

chain and fly panel

The chain stitch is a caught stitch. If you only did half of it the thread would tighten down to a tiny little straight stitch. To make it, with the thread to the front of the fabric, take the needle down right next to where it came up, and before you tighten the thread, bring the needle up again a bit away and catch the previous stitch’s thread. Now pull through and tighten (but not too much!) and you should have a teardrop. To finish the row, just make a little tacking stitch by taking the needle down just outside the final teardrop. That is also what you should do to end a thread. Begin a new thread by taking it up just inside the final teardrop and proceeding from there.

making a chain back of chain

The back of chain stitch looks like the front of backstitch: a bunch of straight stitches end to end.

chain variation

Just to try it out, instead of putting the needle down right next to where it came up to make the loop, I put it a bit back along the chain. The point end of the teardrop gets a little bit pointier, and the reverse-side stitches overlap a little.

If you decide to make the ends of the teardrop stitch a bit away from each other (perpendicular to the line of stitching), you can get open chain. This one’s a little more complicated because you can’t tighten the stitch until you’ve come up and gone back down again for the next teardrop. I recommend not pulling the needle all the way through the fabric on the down stitch and tightening by tugging the thread by hand, to avoid accidentally overtightening the thread for the next loop. That is not fatal, of course; you can always pull it back to the front of the fabric, but it is annoying.

open chain Cretan and feather

If you decide to catch each loop of open chain under only one end of the following loop, it becomes feather stitch. Actually, in the second picture above, it starts out as our old friend Cretan stitch and only becomes feather when it starts getting that distinct V shape. Proper feather stitch alternates the side the free end sticks out on; if you keep the same side (say, always catching the previous loop with the left end of the next loop) it is called one-sided feather stitch and looks an awful lot like blanket stitch.

Feather stitch can look very different if you vary the position of the stitches. On the left below is long-armed feather, which has a plant-like look, and on the right is closed feather, which looks more like a trellis.

long armed feather closed feather

If you basically start from scratch every stitch with feather you get fly stitch. Properly speaking, fly stitch is an isolated stitch, and if you work it all in a line like the picture below it is closed fly.

fly stitch from the back

To make fly stitch, with thread to the front of the fabric, bring the needle down a bit away and then, before tightening, back up to make a triangle with the three points. Catch the previous loop and tighten. Take the needle down through the fabric either just over the loop or a bit further in the direction the V points, and then back up to the side to start the next fly.

As with feather, you can vary the lengths and starting and ending positions of the stitches to get very different looks. Individual fly stitches are shown below as well.

fly fern fly isolated

Back to chain stitch for a couple more. The magic chain stitch is much easier to make than it looks. You need to thread two different color threads on your needle, full complement of strands of each.

magic chain

The only difference from standard chain is that each time you come up you will catch the threads of only one color. Also, every other time you will have to tighten the thread by hand; the remaining time the color you want to tighten will be shorter than the caught color, and pulling the needle will suffice.

Finally, some isolated versions. On the left below is the isolated chain stitch, or lazy daisy. You get different effects making the tacking stitch long or short.

isolated chains isolated chains

When diagonal straight stitches are laid on either side of a lazy daisy, the result is tete de boeuf. I have no idea why, since the rightmost stitch above, the wheatear, looks much more like a bull’s head to me. The wheatear is a hybrid stitch; it is a fly stitch finished off by an isolated chain.

Now, I know these stitches maybe don’t seem as decorative or a functional as the others – good for outlines and plants and not much else. However, they can be beautiful when done creatively. I went looking for examples and found a number: samplers on CRAFT show sometimes neat stitching and good color choice is all it takes. Susan at art of textiles has a long-stemmed fly stitch that reminds me of seedlings. And Raphaela at Textile Explorations, whose blog I will surely explore further, has entries dedicated to feather, chain, and detached chain.

That concludes the individual panels of my sampler. The embroidery class is in three weeks; we’ll see the finished sampler then.